In
the
sixties
and
seventies
of
the
past
century,
a
few
organs
from
before
the
revolution
in
Paris
have
been
rebuilt
in
a
neo-classical
style.
The
idea
was
to
construct
an
organ
on
which
both
German
and
French
baroque
music
could
be
played.
Of
course,
this
was
an
illusion,
so
compromises
had
to
be
made.
In
four
of
the
five
cases,
priority
was
given
to
the
German
baroque
style
(Saint-Séverin,
Saint-
Jacques-du-Haut-Pas,
Saint-Thomas-d'Aquin,
Notre-
Dame-des-Victoires).
In
one
case,
priority
was
given
to French baroque style (Saint-Germain-des-Prés).
Saint-Séverin
Saint-Jacques-du-Haut-Pas
Saint-Thomas-d'Aquin
Notre-Dame-des-Victoires
Saint-Germain-des-Prés
The
table
below
summarizes
the
main
characteristics
of
the
five
pre-revolutionary
neo-classical
organs.
It
shows
that
the
organ
of
Saint-Séverin
has
still
a
substantial
amount
of
old
stops;
the
other
four
organs
lost
most
of
their
stops
from
before the revolution.
Before the revolution -
neo-classical style
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